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PORTFOLIO
Study in Red, rescued timber, glazed ceramic & terracotta clay, yarn, crayon
Bringing together very different types of reds, forms, and matter into a kind of alchemy of differences with one unifying identity.
Nown, glazed terracotta clay, wool, 10 x 60 x 90 mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Scap, ceramic, rescued timber, yarn - 160 x 210 x 110mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Plek, glazed ceramic, fishing line - 170 x 70 x 70 mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Hairly, ceramic, rescued timber, spun flax - 430 x 80 x 50 mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Plurp, rescued timber, glazed ceramic, gold leaf, yarn - 155 x 140 x 90 mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Moog, rescued timber, clay, wool, acrylic compound, spray paint - 320 x 180 x 130mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Elboze, glazed ceramic, rescued timber, spun flax - 270 x 490 x 260mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Chankd, ceramic, liquid charcoal, acrylic, yarn - 260 x 120 x 90mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Legz, rescued timber, clay, liquid charcoal, spun flax - 565 x 130 x 130mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Flossy, rescued timber, animal fur, charcoal activated dental floss, hair extensions - 360 x 400 x 80mm
Part of a series of devil-may-care ‘objectionables’: authentically expressive, non-conformist, sometimes creaturely objects – unique in their own particular ratios of hardness, softness, silliness, and brokenness.
Dark Matter, glazed ceramic, spray paint, grass
Created by drips and blobs of clay slip until it became a vessel that contains.
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